Eulàlia Grau

Terrassa, 1946

In her work, Eulàlia uses photographs from the media, which she re-contextualises by establishing a dialogue between them, bringing out some very critical social messages. Besides emulsified canvases and silk-screens, she also produces posters and insertions in books and magazines. In an attempt to escape the usual artistic media channels, Eulàlia constructs her work as an uncomfortable testimony of the society of her time.